Fellows’ Publications

Yunfei Bai, “Civilisés ou barbares? Chinois et Tartares à l’époque des Lumières,” French Forum 45, no. 1 (2020): 1-15.  Online: https://muse.jhu.edu/article/764400

Yunfei Bai, “Victor Segalen’s1914 Archeological Mission in Sichuan: The Untold Story,” French Cultural Studies 31, no. 3 (2020):  210-229. Online: https://journals.sagepub.com/doi/10.1177/0957155820911568  

Yunfei Bai, “Where Théophile Gautier Meets Li Yu: Mining Divergence and Common Ground from the ‘Heying lou’ to ‘Le Pavillon sur l’eau,’” Comparative Literature Studies 57, no. 1 (2020): 148-174. Online: https://muse.jhu.edu/article/763010

Yunfei Bai, “World Literature and Nationalism: Tibetan Translations of Alphonse Daudet’s Short Story ‘La dernière classe,’” Archiv orientální 87, no. 3 (2019): 509-535.

 John Gabriel, “There and Back Again: Zeitoper and the Transatlantic Search for a Uniquely American Opera in the 1920s.” Journal of the Society for American Music 13, no. 2 (May 2019): 195-215, online: https://www.cambridge.org/core/journals/journal-of-the-society-for-american-music/article/there-and-back-again-zeitoper-and-the-transatlantic-search-for-a-uniquely-american-opera-in-the-1920s/AA7FA619BC356D0F701A2A44CE0CB734 

Monica Steinberg, “(Im)Personal Matters: Intimate Strangers and Affective Market Economies,” Oxford Art Journal 42, no. 1 (Spring 2019), online: https://doi.org/10.1093/oxartj/kcy026 

John Gabriel, “Twentieth-Century Ideologies of ‘Late Style’ in the Reception of Elliott Carter’s Music,” Elephant & Castle: laboratorio dell’immaginario 18 (November 2018), online: http://cav.unibg.it/elephant_castle/web/saggi/twentieth-century-ideologies-of-late-style-in-the-reception-of-elliott-carter-s-music/279

Monica Steinberg, “Naming: Heteronymy and the Imaginary Artists of George Herms,” American Art, 2018, v. 32, no. 2, online: https://www.journals.uchicago.edu/doi/full/10.1086/699609

Nathanel Amar, ““你有freestyle吗?” (Do you freestyle?) The Roots of Censorship in Chinese Hip-hop”, China Perspectives, 2018/1-2, online: http://www.cefc.com.hk/article/ni-you-freestyle-ma-roots-chinese-hip-hop-censorship/

Nathanel Amar, Review: “Yiu-Wai Chu, Hong Kong Cantopop: A Concise History”, China Perspectives, 2017/4, online: http://www.cefc.com.hk/article/yiu-wai-chu-hong-kong-cantopop-a-concise-history/

Robert Kramm, “Haunted by Defeat: Imperial Sexualities, Prostitution, and the Emergence of Postwar Japan,” Journal of World History 28, No. 3&4, Special Issue: Gender and Empire (2017): 587-614.

Robert Kramm, Sanitized Sex: Regulating Prostitution, Venereal Disease, and Intimacy in Occupied Japan, 1945-1952 (Oakland: University of California Press, 2017).

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